Letter to the Editor
Julia Chiaramonte
Ye Letter to the Editor
Dear Mr. Cavendish,
In regard to thy latest comments concerning mine play, I am saddened to learn that thee didst not enjoy A Midsummer Night’s Dream. Audibly, an artless, fool-born lout like thee wouldst not understand such a performance. Now please, taketh the time to read what I has’t to say, and perhaps thee wilt understand mine work.
The play within a play is showeth a contrast between Pyramus and Thisbe and the dramatic love story between the rest of the characters, and is still a tragical mirth. The play performed by the mechanics is not meant to offend anyone watching. T giveth a break from the drama befall, which is apart of mine creativity. Tis also necessary for a play as remarkable as this one. Someone like thee, who looks too deeply into things, would only believe that is offensive. The two stories art very similar to each other, therefore t doest not seem to difficult for the audience to understand. Both plays has't similar themes, which can eke holp people relate to the play more. For example, both plays have characters who art willing to run away to be together. “From Athens is her house remote seven leagues; And she respects me as her only son. There, gentle Hermia, may I marry thee; And to that place the sharp Athenian law Cannot pursue us.” Pyramus and Thisbe relate to the difficulties that Hermia and Helena faced, since they too want to run away so they can be together The play eke show how two completely different people- the upper class and lower class - can join together to enjoy something together, in this case, a play. Tis suprising that someone like thee would not understand this, but then again, thee art impertinent, hell-hated skainsmate.
This play incorporates many types of drama, which show how dynamic theatre truly t, and how t doest not has't to beest subjected to one topico only. I truly desire that the next time thee decid to review one of mine play, thee wilt beest more open-minded and not such a mangled, ill-breeding coxcomb.
Sincerely,
William Shakespeare
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